Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

Apply for Support

Cohort Archives

2025 - 2026 Digital Humanities Summer Fellows

Paul Atkins
Professor
Asian Languages & Literature
Adrienne Mackey
Assistant Professor
School of Drama
Anna Preus
Assistant Professor
English
Mark Letteney
Assistant Professor
History
Rhema Hokama
Assistant Professor
English
Runjie Wang
Graduate Student
Cinema & Media Studies
Siddharth Bhogra
Graduate Student
English
Sikose Sibabalwe Mjali
Graduate Student
English
Herman Chau
Doctoral Candidate
Mathematics
Nikki Yeboah
Assistant Professor
School of Drama

2015 - 2016 Digital Humanities Summer Fellow

Phillip Thurtle wears a blue shirt and glasses.

Phillip Thurtle (he/him/his)

Professor and Director

Losing My Wings: Interactive Gothic Fables of Development

 “Losing my wings” will be a media rich Scalar document that explores why humans don’t have wings from the perspective of literature, film, graphic novels, and the history of science. In doing so, it will urge the readers to dream the dream of flight as a biological capability, an elegy of change and passing, and a new way of conceiving of the relatedness of beings. In these stories, flight is not a metaphor of transcendence, or a fixed physiological capability; flight is a haunting that marks the simultaneous similarity and difference of organic beings and how they position themselves in the world.