Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2025 - 2026 Digital Humanities Summer Fellows

Paul Atkins
Professor
Asian Languages & Literature
Adrienne Mackey
Assistant Professor
School of Drama
Anna Preus
Assistant Professor
English
Mark Letteney
Assistant Professor
History
Rhema Hokama
Assistant Professor
English
Runjie Wang
Graduate Student
Cinema & Media Studies
Siddharth Bhogra
Graduate Student
English
Sikose Sibabalwe Mjali
Graduate Student
English
Herman Chau
Doctoral Candidate
Mathematics
Nikki Yeboah
Assistant Professor
School of Drama

2018 - 2019 Digital Humanities Summer Fellow

Abraham Avnisan stands in front of a white wall wearing a patterned shirt.

Abraham Avnisan

Assistant Professor

Specters of Home

Specters of Home is an interactive installation about haunting, exile, and colonialism. Made in collaboration with Palestinian dancers and choreographers, the project brings together virtual reality, architecture, and dance to explore the ways in which the political exclusion of Palestinians from the State of Israel haunts contemporary Israeli and Jewish-American culture. As viewers enter the installation space, they will find themselves immersed in a lush and ghostly 3D projection of the architectural ruins of the Palestinian village of Lifta, whose 3,000 residents were expelled from their homes during the Palestinian Exodus of 1948. Initially, Lifta appears empty, quiet, abandoned. But as the viewer begins exploring the space, Lifta’s ruins come to life: snippets of audio interviews conducted with the village’s former inhabitants and their descendants become audible, and spectral 3D imagery of bodies in motion begin to emerge.