Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2025 - 2026 Digital Humanities Summer Fellows

Paul Atkins
Professor
Asian Languages & Literature
Adrienne Mackey
Assistant Professor
School of Drama
Anna Preus
Assistant Professor
English
Mark Letteney
Assistant Professor
History
Rhema Hokama
Assistant Professor
English
Runjie Wang
Graduate Student
Cinema & Media Studies
Siddharth Bhogra
Graduate Student
English
Sikose Sibabalwe Mjali
Graduate Student
English
Herman Chau
Doctoral Candidate
Mathematics
Nikki Yeboah
Assistant Professor
School of Drama

2019 - 2020 Digital Humanities Summer Fellow

Portrait of Jennifer Bean

Jennifer Bean (she/her/hers)

Associate Professor

Archival Trouble: "Found-Footage Criticism" and Early Cinema

Developments in digital technology have created opportunities for scholars to move beyond the written word to convey analyses and arguments through multimedia work.  This project draws from my years of working in silent-era archives, and re-configures often neglected or fragmented footage through a series of four video essays that explore the affects and aesthetics of images in the historical context, respectively, of suffragette activism, of women’s comedic performances, and of the global practice of repurposing celluloid material.