Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2025 - 2026 Digital Humanities Summer Fellows

Paul Atkins
Professor
Asian Languages & Literature
Adrienne Mackey
Assistant Professor
School of Drama
Anna Preus
Assistant Professor
English
Mark Letteney
Assistant Professor
History
Rhema Hokama
Assistant Professor
English
Runjie Wang
Graduate Student
Cinema & Media Studies
Siddharth Bhogra
Graduate Student
English
Sikose Sibabalwe Mjali
Graduate Student
English
Herman Chau
Doctoral Candidate
Mathematics
Nikki Yeboah
Assistant Professor
School of Drama

2021 - 2022 Digital Humanities Summer Fellow

Close up of Hope smiling at the camera, long hair parted the side and in front of her right shoulder, behind her left shoulder. She is wearing a green patterned top and the backdrop is a cream color.

Hope Reidun St. John

Doctoral Candidate

Picturing the City: Photographic Practice and the Constitution of Urban Place

“Picturing the City” is a multi-site ethnography exploring the constitution of urban place through photographic practice in four Pacific Rim cities. The project focuses specifically on digital mapping as a mode of comparative analysis, inquiry, and form of publicly accessible publication. It aims to create publicly accessible digital maps of photographic practice in Seattle, Vancouver, Hong Kong, and Qingdao using ethnographic data and materials.